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Even though Dawn of War was the pioneer trendsetter for 40k on the RTS genre, it wasn't the most favored. That title goes to Dawn of War - Dark Crusade which is a standalone expansion of the series. That's because Dark Crusade introduced a Civilization-style campaign with a fully-fleshed out story for each faction of which there are seven.

All of them are unique in their own way and are faithful recreations of their own tabletop counterparts, which is an achievement in itself. It seems that the recurring pattern for most Warhammer games is that their sequels or successors are better versions. The formula has been refined to the point of near perfection, such was the case for Total War: Warhammer II.

It's currently the most highly-rated Warhammer game based on critical reception and also the fact that it's only available on one platform which is the PC.

That is until the game gets dethroned by its planned sequel, Total War: Warhammer III which aims to finally give Chaos the spotlight it deserves. It's time for this JRPG series to offer players a new perspective. Let's go, girls. Sid was born, did some stuff, then decided to become a writer. He finds respite in the sweet embrace of mass media escapism after having risked his life too many times as a journalist covering warzones and depressed areas. Nowadays he mostly risks his bladder as he tries to hold his urine waiting for those precious post-credits scenes at the movies or trying to kill Souls-like bosses.

The first VR-exclusive 40K game is a disappointment. Impressive as it is to have that sense of presence, whether you're poking around a starship or looking up at a space marine, it's a rudimentary corridor shooter. Plus, the physical controls for everything from throwing grenades to holstering weapons are unreliable, and when that gets you killed in one of the levels with a savepoint on the wrong side of a tutorial or an elevator ride? That's unforgivable. If you like the kind of RTS where you manufacture a huge amount of troops then drag them together in a glorious blob, the first Dawn of War is for you.

If you prefer a handful of units and heroes with their own special abilities to carefully manage, that is Dawn of War 2's whole deal. Dawn of War 3 tries to split the difference, and it's an awkward compromise. Elites all have different things they can do and some of your units have an ability or two, but there are long stretches where it feels like you should be using them yet there's nothing for you to do.

In the story campaign you alternate between marines, orks, and eldar one mission at a time, never playing any one group for long enough to get comfortable with them—almost every level feeling like a reintroduction of abilities and tech it expects you to have forgotten, as if the tutorial never ends.

While the first two games are divisive and there are plenty of passionate defenders of each, Dawn of War 3 didn't end up appealing to anyone. There are surprisingly few 40K first-person shooters, and not many games where you get to be the T'au, the mech-loving weebs of the setting.

Fire Warrior isn't about mechs, however. It's a corridor shooter ported over from the PlayStation 2, a fine console that didn't have a single decent FPS to its name. Red Faction fans, you're kidding yourselves.

You'll have to turn auto-aim on to fix the busted mouse controls in Fire Warrior, but nothing will fix the boring guns or unreactive enemies.

Two things elevate it, however. One is that the first time you have to fight a space marine he seems borderline unstoppable in a way that feels right, and the second is that Tom Baker recorded some glorious narration for the intro. The Eisenhorn novels are some of the better 40K books, hard-boiled Raymond Chandler detective stories about an inquisitor who finds himself making trade-offs with his principles while he hunts heretics and slowly comes to grips with the Inquisition's corruption.

This adaptation of the first book did one thing right by casting Mark Strong as Eisenhorn. He's perfect, but the voice direction is weak and every cutscene is full of characters at wildly different levels of intensity. Between the story bits is a mish-mash of third-person combat, collectible hunts, hacking minigames, that thing where you spin clues around to examine them—a bundle of features lifted from other games and artlessly glued together to fill the gaps.

It feels like the kind of budget movie tie-in game that used to be commonplace, only this time it's a book tie-in. Steel Wool Studios Steam. There are plenty of turn-based 40K games about squads of space marines jogging from hex to hex, but what makes Betrayal at Calth different is its viewpoint.

You command from the perspective of a servo-skull, a camera that swoops around the battlefield and lets you appreciate the architecture of the Horus Heresy-era up close.

You can even play in VR. It's a cool idea. Unfortunately, you can feel where the money ran out. A limited number of unit barks repeat often from a different direction to the acting unit , some weapons have animations while others don't, and the mission objectives occasionally leave out details you need to know.

It started in Early Access and clearly didn't make enough money to keep it there until it was done. It's out now with a version number on it, but it doesn't feel finished. In Games Workshop released collectible cards with photos of Warhammer miniatures that had stats so you could play a rudimentary Top Trumps kind of game with them.

It went through several iterations, and the version became a free-to-play videogame with painted 40K miniatures on the cards. Don't expect Magic: The Gathering. You build a deck of one warlord and a bundle of bodyguards, keeping three of them in play, replacing bodyguards as they die.

Each turn you choose whether to make a ranged, melee, or psychic attack and the relevant numbers get added up and damage exchanged. Tactical choice comes via buffs to the attacks you don't choose which can pay off in later turns , and deciding when to play your warlord a powerful card whose death means you lose.

Oddly, the only PvP is within your clan and mostly you play against AI that uses other players' decks. Not that Warhammer Combat Cards tells you this, or much of anything else. Good luck trying to join a clan even after you've leveled-up the appropriate amount, thanks to a designed-for-mobile interface.

NeocoreGames Steam Microsoft Store. Inquisitor—Martyr is pulling in three directions at once. It's a game about being an Inquisitor, investigating the mysteries of the Caligari Sector, chief among them a ghost ship called the Martyr. It's also an action-RPG, which means if it goes for more than five minutes without a fight something's wrong, and among the most important qualities your heretic-hunting space detective genius possesses are their bonus to crit damage and the quality of their loot.

Finally, it's a live-service game with shifting seasonal content, global events, limited-duration vendors, daily quests, heroic deeds, no offline mode, and the expectation you'll replay samey missions for hundreds of hours every time there's a content update. Why would an Inquisitor spend so much time crafting new gear? Why do I need to collect a different color of shards every time there's a new "Void Crusade"?

Every game wants me to collect shards of something and I'm just so tired. Scale is important in a setting where billions die and nobody blinks. Mechs can't just be mechs in 40K. They're titans, god-machines up to feet tall that stomp through fancy gothic megacathedrals without slowing down. Dominus pits maniples of titans belonging to the Imperium and Chaos against each other in turn-based combat. You order a titan to move and a hologram appears at its end position; you choose who it's going to target and color-coded projections show which weapons will be in range.

You commit and the titan spends 10 seconds stomping to its endpoint, firing continuously the entire time—just spaffing out barrages of missiles and lasers while walking through buildings.

You get a lot of odd-looking turns where most of the shooting is at impenetrable rocks that happen to be between titans, which isn't helped by the AI's tendency to shoot when it has no chance of hitting, or the cinematic camera's tendency to clip inside mountains. Another oddity: you don't plot out moves but simply pick where to finish. Sometimes you'll select a position within the movement radius and the hologram will instead appear on the opposite side of where you started because apparently you need to go the long way round and don't have enough movement after all.

Some missions give you a fresh maniple, but partway through the campaign suddenly half the missions have to be completed with the titans that survived the previous one, a fact Dominus doesn't bother to tell you.

You're up against the forces of Chaos, which means Chaos Cultists, Traitor Marines, and half-a-dozen varieties of daemon. Meanwhile you're in charge of the Ultramarines, and while you can rename your troops and assign a limited number of heavy weapons per squad, after a while every battle feels the same.

They drag on too, thanks to the Traitor Marines who litter most maps being able to survive multiple krak grenades and heavy bolter rounds. The classic hex-and-counter wargame Panzer General has inspired a lot of 40K games, and Sanctus Reach, which pits Space Wolves against orks, is certainly one of them. It's not bad, but it is basic. The objectives are often just capturing or defending victory points and only after three levels of those will you get something different like an escort mission or something, the story's a paragraph of text between maps, there's no strategy layer, and everything on the presentation side, from unit types to animation to level furniture, feels like the absolute minimum, where 40K should be all about maximalism.

Other games do this identical thing better. Take Civilization 5 or maybe Warlock: The Exiled, or Age of Wonders , then remove the diplomacy so it's all about war. Add some inspiration from RTS base-building, with separate barracks for infantry and vehicles around your city, then add heroes who level up and gain some quite Warcraft 3 abilities on top of that.

Gladius is an intriguing strategy game Frankenstein, but it's got issues. On enemy turns it'll show a random battle happening to an ally rather than your own troops being slaughtered. There's a storyline scattered about in quests, but to get anywhere with them you have to play an artificially long game or you'll defeat all the enemies and win by conquest before uncovering any of the tantalizing secrets it hints at.

Finally, even with wildlife turned down to Very Low, the early turns of every game are spent fighting alien dogs and bugs and floating mind-control jellyfish for way too long before actually going to war with the other factions.

Although it launched in a terribly buggy and unoptimized state, an enhanced edition rerelease fixed some of its worst problems. Now it's a competent claustrophobic multiplayer game where you can dress up your terminators real fancy. As a singleplayer experience it's let down by daft AI, and even with friends you'll have to overlook whiffy melee weapons and shooting that feels more like you're turning on a hose than opening up with a mark-two storm bolter.

Milton Bradley's follow-up to HeroQuest was a version of Warhammer 40, for ages 10 to adult, and Gremlin Interactive were once again responsible for the videogame. Like the adaptation of HeroQuest, it's a pretty direct replication—although for some reason the genestealers have been replaced by different aliens called "soulsuckers.

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